Most works can be heard here: https://soundcloud.com/nolan-krell

« mais les cris, vous connaissez ? » (2021)
for percussion, guitar, and viola
[6’40”-10′]

I have been the breadth of this story for so long (2021)
for euphonium, performers, and electronics
[10-20′]

found: (2021)
for solo trumpet and media
[7′]

the requested resource is already in use (2021)
for violin, guitar, and piano
[27′]

mired (2020-21)
for five voices and media
[7′]

there are no faces (2020)
for fixed media
[13′]

Ten Compulsory Figures (2020)
for solo guitar
[4′]

a knife at all times (in progress)
for fixed media and video
[50′]

collection // collision (2018-20)[score]
for solo piano
[1′]

camouflage has no effect on those who see the world in black & white (resemble // reassemble) (2019)
for two alto saxophones and ‘cello
[8’]

[having // halving] (2018)
for fixed media
[3′]

both // and (2017-18)
for amplified ensemble (perc, gtr, pno, vln, vcl) and electronics
[16’30”]

druck // durch (2017)
for orchestra [2.2.2.2 – 2.2.0.0 – timp.2 perc – strings]

[9’45”]

refortified // retrofitted  (2017)
for solo Bb clarinet

[2′]

– Avanzi col capo voltato sempre all’indietro? – oppure: – Ciò che vedi è sempre alle tue spalle? – o meglio: – Il tuo viaggio si svolge solo nel passato? (2017/18) [score]
for voice and electronics

[16’40”]

and then yr gone in italics and ellipses (2017)
for flute, bassoon, and trumpet

[4’30”]

never broken a bone trying to hold on to something so hard (2017) [score]
for saxophone quartet

[3’30”-6’15”]

dilapidation and the circulation of debris (2016-17)
for mezzo-soprano, tenor, saxophone, and piano

[23′]

the forces of deformation, which seize the Figure’s body and head, and become visible whenever the head shakes off its face. (2016-17) [score]
for large wind ensemble (4.2.4.bcl.2 – 4 sax – 4.4.3.euph.1 – 3 perc)

[4’30”]

Why so bright? Why cast a shadow on anything? (2016) [score]
for 2 percussionists and electronics

[9’20”]

(the collateral damage of redundant memory) (2016)
for percussion, voice, and violin

[8′]

(glueing these birds to your arms has been great but I’ve grown to hate you.) (2016)
for solo electric bass

[11’30”]

You’re strange, but you smell good. So, I’ll tell you a secret. (2015-16) [score]
for ensemble (m-s, tpt, perc, pno, pno, vln, vla)

[24′]

This room is full of distance (2015) [score]
for solo saxophone (any)

[8′]

(seal all the exits and feign ignorance.) (2015)
for flute, clarinet, and bowed string instrument

[5′-10′]

Some of them were superstitious (2015/17) [score]
for solo piano

[7’30”]

_ \ | / _  (String Quartet) (2015) [score]
for string quartet

[8′]

Metabolismos 2: simularco solenne (2015)
for keyboard instrument(s) (one performer)

[6′-8′]

thank you for not discussing the outside world (2014-15)
for soprano, alto, tenor and ensemble (2.0.1.0.2Sax – 1.1.2.1 – perc.pno.egtr.ebass  – sop.alt.ten – 0.0.0.0)
text by Leslie Scalapino

[4′]

your answer as an expression (2014)
for trombone, e. guitar, ‘cello, and piano

[9’30”]

6!x4^6×21 (2014)
for 1-6 performers
[5′-25′]