Most works can be heard here: https://soundcloud.com/nolan-krell
tongue turns to ash (in progress)
for piano and instruments
[Long’]
there are no faces (2020)
for fixed media
[13′]
Ten Compulsory Figures (2020)
for solo guitar
[4′]
a knife at all times (in progress)
for fixed media and video
[80′]
collection // collision (2018-20)[score]
for solo piano
[1′]
camouflage has no effect on those who see the world in black & white (resemble // reassemble) (2019)
for two alto saxophones and ‘cello
[8’]
[having // halving] (2018)
for fixed media
[3′]
both // and (2017-18)
for amplified ensemble (perc, gtr, pno, vln, vcl) and electronics
[16’30”]
druck // durch (2017)
for orchestra [2.2.2.2 – 2.2.0.0 – timp.2 perc – strings]
[9’45”]
refortified // retrofitted (2017)
for solo Bb clarinet
[2′]
– Avanzi col capo voltato sempre all’indietro? – oppure: – Ciò che vedi è sempre alle tue spalle? – o meglio: – Il tuo viaggio si svolge solo nel passato? (2017/18) [score]
for voice and electronics
[16’40”]
and then yr gone in italics and ellipses (2017)
for flute, bassoon, and trumpet
[4’30”]
never broken a bone trying to hold on to something so hard (2017) [score]
for saxophone quartet
[3’30”-6’15”]
dilapidation and the circulation of debris (2016-17)
for mezzo-soprano, tenor, saxophone, and piano
[23′]
the forces of deformation, which seize the Figure’s body and head, and become visible whenever the head shakes off its face. (2016-17) [score]
for large wind ensemble (4.2.4.bcl.2 – 4 sax – 4.4.3.euph.1 – 3 perc)
[4’30”]
Why so bright? Why cast a shadow on anything? (2016) [score]
for 2 percussionists and electronics
[9’20”]
(the collateral damage of redundant memory) (2016)
for percussion, voice, and violin
[8′]
(glueing these birds to your arms has been great but I’ve grown to hate you.) (2016)
for solo electric bass
[11’30”]
You’re strange, but you smell good. So, I’ll tell you a secret. (2015-16) [score]
for ensemble (m-s, tpt, perc, pno, pno, vln, vla)
[24′]
This room is full of distance (2015) [score]
for solo saxophone (any)
[8′]
(seal all the exits and feign ignorance.) (2015)
for flute, clarinet, and bowed string instrument
[5′-10′]
Some of them were superstitious (2015/17) [score]
for solo piano
[7’30”]
Metabolismos 2: simularco solenne (2015)
for keyboard instrument(s) (one performer)
[6′-8′]
thank you for not discussing the outside world (2014-15)
for soprano, alto, tenor and ensemble (2.0.1.0.2Sax – 1.1.2.1 – perc.pno.egtr.ebass – sop.alt.ten – 0.0.0.0)
text by Leslie Scalapino
[4′]
your answer as an expression (2014)
for trombone, e. guitar, ‘cello, and piano
[9’30”]
6!x4^6×21 (2014)
for 1-6 performers
[5′-25′]
